Film Review by PAM NADON
"UNDER HELLGATE BRIDGE" A MOBSTER MASTERPIECE
"Mike Sergio's directorial debut began as a classified ad: "It's your life....it's your money. You worked hard.....now have some fun!
Emmy Award-winning director seeks investor for indie film with stars." Evidently he found at least one investor. Toss in actors Dominic Chianese
(aka Uncle Junior and Big Pussy from "The Sopranos") and you've got the
makings for a hit (no pun intended). This riveting, provocative crime flick unfolds exclusively in Astoria, NY.
It's the story of an ex-con who returns home to find one brother OD'd on
heroin, his other brother hooked on it and his former junkie girlfriend
married to the local drug lord. Not guilty of the rap that landed him in the stir, Ryan (Michael Rodrick of
"Desolation Angels") naturally becomes the film's hero. When Ryan attempts
to set things right, all hell breaks loose. Druglord Vincent (Jonathan
LaPaglia) enjoys the status quo and finds Ryan a real pain in the derriere.
Sparks fly, people die and Ryan ends up saving the day with a little help fr
om his priest (Dominic Chianese of "Godfather II") "Under Hellgate Bridge" is one of those rare films that puts you smack in the
middle of what's happening. Sergio has a unique ability to make you feel the
pain- he inflicts it on you, right through the lens. Sergio describes this film as a cross between "Shane" and "Goodfellas." He
also asked director of photography Leland Krane to make a movie that looked
like "Serpico," "The Godfather" and "Donnie Brasco" - an almost unimaginable
feat given the extremely limited budget. Armed merely with a 35-mm camera,
the former gaffer rose to the occasion to help create a mobster masterpiece.
The film has an acute air of authenticity. Having spent a week drinking
Thunderbird under Hellgate Bridge after being kicked out of four high
schools, Sergio clearly knows his turf. the savvy casting also helps make
things beleivable. The thugs seem real comfortable in their own skins.
Sergio also takes advantage of typecasting. We've seen most of these actors
in mobster movies before; when we see them again, we already know they're not
nice. What started out as a want ad is now an award-winning piece of celluloid.
"Under Hellgate Bridge' captured the best film prize at the Nashville
Independent Film Festival, and closer to home, played out to sold-out
audiences at this year's Sarasota Film Festival. Aside from all those
accolades, I really liked it. Pam Nadon graduated from Western Michigan University with a B.A. in English,
has served as a film analyst in a series of classes and is a member of the
American Film Institute. |